Paul SOYER, Renaissance-Style Clock Set, circa 1875 - Clocks, garnitures

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Paul SOYER, Renaissance-Style Clock Set, circa 1875-0

Paul SOYER, Renaissance-Style Clock Set, circa 1875-0

Paul SOYER, Renaissance-Style Clock Set, circa 1875-1

Paul SOYER, Renaissance-Style Clock Set, circa 1875-2

Paul SOYER, Renaissance-Style Clock Set, circa 1875-3

Paul SOYER, Renaissance-Style Clock Set, circa 1875-4

Paul SOYER, Renaissance-Style Clock Set, circa 1875-5

Paul SOYER, Renaissance-Style Clock Set, circa 1875-6

Paul SOYER, Renaissance-Style Clock Set, circa 1875-7

Paul SOYER, Renaissance-Style Clock Set, circa 1875-8

Paul SOYER, Renaissance-Style Clock Set, circa 1875-9

Paul SOYER, Renaissance-Style Clock Set, circa 1875-10

Paul SOYER, Renaissance-Style Clock Set, circa 1875-11

Paul SOYER, Renaissance-Style Clock Set, circa 1875-12

Paul SOYER, Renaissance-Style Clock Set, circa 1875-13

Paul SOYER, Renaissance-Style Clock Set, circa 1875-14

Paul SOYER, Renaissance-Style Clock Set, circa 1875-15

Paul SOYER, Renaissance-Style Clock Set, circa 1875-16

Style Renaissance / Ref.14666

Paul SOYER, Renaissance-Style Clock Set, circa 1875

Dimensions
Width 8'' ⅝  22cm
Height 20'' ⅞  53cm
Depth: 7'' ½  19cm

Origin:
France, 19th century

Status:
Good condition

This clock set in the spirit of the Renaissance was executed by Paul Soyer around 1875.

Paul Soyer (1832-1903) worked as a chaser in Paris from the 1850s. Gradually, he learned the technique of enamel to replace ornamental bronzes in furniture decoration. He opened a workshop as an engraver-enameller in 1861 and then collaborated with renowned enamelers and goldsmiths, such as Claudius Popelin, Charles Duron, and Gustave Baugrand. It was as a collaborator of the latter that he won his first bronze medal at the 1867 Universal Exposition. Following this success, he opened a larger workshop and specialized in various enamel techniques, with a preference for painted enamel. He participated in all the French and foreign Universal Expositions, as well as the Expositions of the Union Centrale des Beaux Arts appliqués à l'Industrie. Regularly rewarded, notably with a gold medal in 1878, he was hors concours and a jury member from 1889, the year he received the Legion of Honor.

His production, very varied, includes both small decorations for jewelry and true enamel paintings, as well as enameled art objects for goldsmithing and plaques intended for cabinetry. A follower of Popelin, he remained faithful to the art of the Renaissance and the early 17^th century, particularly fond of the technique of polychrome enamels associated with grisaille, and that of gold camaieu.

For more information on this work, see the video on MarcMaison.art.

Informations

Stock venue
Cambo Market Gallery

See on MarcMaison.art

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