Ref.13377
Pair of simple doors with a mirror on one side

These two doors made of painted in white wood are adorned on their main side with large mirrors divided into tiles and curved on their upper parts.

Ref.3674
Stretched out Pompadour mantel in Alep Breccia marbre

This Louis XV style mantel was made of Alep Breccia marble in the late 19th century. It's the Pompadour model, recognizable thanks to the central medallion. Its jambs also shows a curved shape thanks to the sculpted scroll decoration.

Ref.14205
Napoleon III-style oak double door with shell decoration

Ref.4201
Empire style fireplace in blue Turquin marble with statuary marble columns

This Empire-style fireplace was crafted in Bleu Turquin marble and statuary marble. Bleu Turquin displays its characteristic oblique veining in deep blue-grey tones, while the statuary marble, used for the columns and certain decorative panels, provides a bright and even contrast. The overall form follows a straight, architectural structure typical of the Empire style. The mantel shelf, with gently softened edges, rests on a simple entablature where a large horizontal band in statuary marble forms the central panel. On either side, two lateral blocks mark the returns and frame the façade. The fire opening is surrounded by a straight Bleu Turquin marble frame. Two pairs of engaged columns, also in statuary marble, rise from Bleu Turquin bases and give the façade its visual rhythm. The fireplace is adorned with several carved decorations. The large central panel features a finely carved vegetal garland composed of layered leaves and small flowers arranged in a symmetrical composition. The two side panels, also in statuary marble, are decorated with shallow-relief sculpted wreaths. The statuary marble columns are topped with moulded capitals, with the bases and collars accentuated by a dark Bleu Turquin band. The cast iron interior is decorated with a prominent relief: in the centre, a classical chariot drawn by horses and led by a male figure, likely Helios, stands out in gilt against the black background. The interior jambs each bear a vertical motif composed of a sphinx surmounted by a stylised vase or urn, also in gilt cast iron. The whole ensemble is structured, symmetrical, and characteristic of the Empire aesthetic, in which antique themes are frequently reproduced.