Ref.12037
Lot of about 28 m2 of linear oak parquet flooring

Lot of linear oak parquet flooring. Length from 39.37 to 118.11 Inch by 3.94 Inch width. The whole for an area of about 28 m2.

Ref.12468
Antique Louis XVI style trumeau gilded painting

Antique Louis XVI style trumeau, realized in the 19th century, the frame carved with laurel branches, a pearl frieze and gilded painting.

Ref.14006
17th century fireback with the coat of arms of Jérôme de La Chasseigne

Cast iron fireback with the coat of arms of the La Chasseigne family, an ancient family from the Nivernais. Their coat of arms is : « charged with a greyhound running sable, collared argent, nailed gules and accompanied by three acorns or, two in chief and one in base ». The latter is surrounded by volutes and surmounted by a Germanic Baron's crown. The motif of the acorn, inserted into coats of arms from the 17th century onwards, and the shape of this plate, characteristic of the years 1650-1680, place this fireback in the second half of the 17th century. The de La Chasseigne family is a very old family from the Nivernais, an ancient French province, dating back to the 15th century, in the 1490's. This coat of arms is believed to be that of Jérôme de La Chasseigne (c.1620-avt.1693), lord of La Chasseigne, Rosemont, Luthenay and Uxeloup (municipalities in Bourgogne-Franche-Comté) as well as a lieutenant of a company of cavalry in the regiment of La Ferté.

Ref.14931
BACCARAT crystalworks, La Vague Inkwell, 1909

The crystal factory designed this inkwell in molded and reworked crystal decorated with gilded bronze elements, testimony to the alliance between glass work and that of bronze workers specializing in decorative art. The crystal takes the form of a hollowed wave, at the top of which rests a gilded bronze mermaid; her wavy hair highlights the nudity of her body, in a languid and sensual pose. Founded under Louis XV, the French crystal factory Baccarat demonstrated its excellence and creativity at Universal Exhibitions throughout the 19th century. The two ink reservoirs are fully in keeping with the maritime theme: they take the shape of a shell and a fishing basket, surrounded by swirling seaweed. This masterpiece of Art Nouveau was exhibited during the International Exhibition of Eastern France, in Nancy, in 1909. It testifies to the influence of Japanese arts on Western artists, notably La Great Wave off Kanagawa by Hokusai. The “La Source” inkwell, created by Paul Aubé in 1898, served as a source of inspiration for “La Vague”, eleven years later. The latter is more significant of the influence of Far Eastern arts.