Ref.2495
Beautiful antique Empire style fireplace in Sea Green marble with bronze ornaments

This beautiful antique Empire style fireplace was made out of Vert de Mer marble towards the end of the 19th century. Two detached colums make up the jambs of this antique fireplace. The entablature is decorated with the following gilded bronze ornaments: women's heads set in medallions, foliage, and rosettes.

Ref.13644
André-Fernand Thesmar, Enameled ceramic gardener

This important gardener bears the monogram of the enameler André-Fernand Thesmar (1843-1912), and was made in the beginning of his enemaler career when he discovers the enamel work and starts his first tries in the 1870's. Andre-Fernand Thesmar first devoted himself to oil painting and was known as a painter of flowers. He was educated in drawing in a factory for printed-fabric in Mulhouse where he had been placed at fourteen years old to learn the trade of a draftsman. His teacher was a painter of flowers: he “drew and dissected the plant with fury, requiring an anatomical analysis of shapes and a meticulous copy of nature.” He left this industrial environment to go to Paris in 1860 and engaged in various activities. It was probably for his talent as a painter that Thesmar was noticed in 1872 by Ferdinand Barbedienne. With Barbedienne, later Thesmar succeeded to the management of the production of enamels. The productions of Thesmar and Barbedienne reflected the interest that they had for the decorative techniques and compositions of Japanese enamel. It was as “co-operator of the Barbedienne company” that Thesmar exhibited at the Exhibition of Decorative Arts in 1874, A cock pheasant from China. At the exposition in 1875, Thesmar exhibited two large enamel compositions on copper. In 1891, Thesmar turned to the decoration of porcelain and introduced himself to Charles Lauth who, since 1879, led the Factory de Sèvres. Its at this time that the collaboration with the Barbedienne company ended. Afterwards, he would be especially known for having invented the “plique à jour” technique, which numerous pieces of are kept in public collections. He creates here a very beautiful gardener with a brown and orange background on which is detaching on slight relief a flower decoration, favorite theme of the artist. He alternates a decor of wide flowers in a light pink shade with strips on a beige background with a motif composed of leaves and flowers scrolls.

Ref.15433
Twenty-four light-arm chandelier decorated with crystals