Ref.10988
Antique fireback with French coat of arms and rich decor with cupids, 17th century

This antique fireback was made in the 17th century. It is decorated with the French coat of arms - three fleurs-de-lis surmounted by a crown - and a rich decoration. Two cupidons are in the upper corners while two winged women frame the arms. A solar figure is represented in the center.

Ref.11118
Louis-Robert CARRIER-BELLEUSE (1848 - 1913) and POTTERY FROM CHOISY LE ROI (1863 -1938), "Children and Butterflies"

Enameled pottery Signed under a handle : “LOUIS CARRIER-BELLEUSE.” Signed under the base: “HB” Dimensions : W. 28 cm (11'') ; H. 45 cm (17'' 3/4) In the Exposition of the National Society of Fine-Arts in 1898, this vase appeared for the first time in stoneware, accompanied by three other vases : Hercules and Omphale, Run for your lives! and Music. These four vases are presented under the same number (no. 4060) and in the same display window. Three of the four vases, including Children and Butterflies, were reproduced, in 1900, in the review La Décoration ancienne et moderne. The same year, he exhibited a fifth vase under the number 4059, entitled Farming. Children and Butterflies was acquired in 2003 by Musée du Petit Palais, in Paris, and it is one of the rare examples of a vase by this artist conserved in a public French collection. This vase has a slender form that contrasts the four handles. The body is completely decorated with floral or purely decorative elements while the characters are restricted to the neck level. A frieze of cherubs chasing butterflies develops along the neck, in a round frenzy. This vase displays a decor that combines different techniques. The body of the vase is decorated with a floral decor which mixes elements in relief and engraved elements. The frieze of children is produced in clay on clay. This process, perfected at the Factory of Sevres around 1848 was frequently used by sculptors, which Louis Carrier-Belleuse was. It consists of applying generally white motifs on a colored background. However, the totality of the piece has been enameled which contributes to giving light green reflections to the bodies of the children. This original vase mixes two inspirations: the frieze of cherubs resembles the production of the Second Empire while the body of the vase displays plant elements indicating Art Nouveau. Son of the sculptor Albert-Ernest Carrier-Belleuse (1824 - 1887) of whom he was a student, Louis Carrier-Belleuse followed the teachings of Gustave Boulanger and Alexandre Cabanel at the school for Fine Arts. He began as a painter in the Exposition of 1870 and exhibited sculptures after 1889. He was interested very early in industrial arts: for some years, he worked beside his father at the Factory of Sevres, which he was the artistic director of since 1875. In 1877 he acquired alongside Theodore Deck a first work experience in ceramics and participated in the competition of Sevres in 1882 by sending a gardener project. Afterwards, he became director of art works of the pottery of Choisy-le-Roi, where he produced numerous models. He obtained a medal in 1896, in the section of applique art, year where he presented the two plaster vases. He exhibited for the last time in 1912. As the artistic director of the pottery of Choisy-le-Roi, he created numerous models, which this vase was a part of. Founded in 1805 by MM. Valentin, Melchior and Nicolas Paillart in the little old castle of Choisy-le-Roi, the factory became the property of Valentin Paillart and Hippolyte Hautin in 1824. In 1836, with the departure of Valentin Paillart, the pottery became the property of Hippolyte Hautin and Louis Boulenger. From this date on, the pottery of Choisy-le-Roi would be a family business. In 1863, Hippolyte Boulenger succeeded his uncle Louis as head of the company. He remained the sole owner until 1878. It was under his direction that the factory experienced an considerable expansion. This same year, he decided to transform the factory into a joint-stock company: the “Societe Hte Boulenger and Co” was born. Hippolyte Boulenger would be the only manager up until his death in 1892. At this time, his son, Paul, took over the business. It was with him that Louis Carrier-Belleuse worked.

Ref.3815
Very beautiful Regency style fireplace mantel in Arabescato marble

This large and beautiful antique Regence style fireplace was made out of Arabescato marble in the 19th century. The white marble subtly veined with blue-gray highlights the beautiful sculptures of this fireplace. The curved entablature is adorned with a large foliated cartouche on both sides of which are carved flowers. The heads of the frieze have windings from which large leaves of acanthus escape. The frieze is supported by two tapered and curved console legs adorned with palmettes and flowers. The top shelf is made of a single piece of marble, which is a real tour de force given the dimensions of this fireplace.

Ref.13209
Cast iron fireback depicting Venus in a medallion

This Louis XVI style fireback was cast in the 19th century. It is adorned with a medallion hang with a ribbon in which is represented the goddess Venus only dressed with a drapery, looking at herself in a mirror. The medallion is surrounded by a decor of acanthus leaves scrolls.

Ref.5805
Small fireplace in Lunel marble