Ref.1475
Large antique Neo-Renaissance style Terra Cotta Mantel

Grand Neo-Renaissance style mantel made out of terracotta in the 19th century. Its decor follows the Neo-Renaissance style. Two columns topped with foliaged capitals supports the first lintel. This lintel is decorated with an interwoven frieze of bunches of grapes and vine leaves. A second lintel, slightly set back, rests on the first lintel. It is decorated in the centre with a shield bearing an unidentified coat of arms. On either side of the shield, there is intertwined foliage. The top of this mantel features a cornice crowned with several finials. One finial is a sturtural element which crowns the ridge of a roof. Decorative flowers are carved all along the cornice, and at the center of this cornice rests a helmet with a plume, the latter evokes medieval and Renaissance period armors.

Ref.13188
Lot of 4.7 m² of antique hexagonal terracotta tiles, 19th century

Antique 19th century period floor composed of hexagonal terracotta tiles. About 215 tiles of which the six sides are 3" 5/8 for 7" 1/4 length and between 5/8 and 1 thick. The whole surface area is about 4.7 m².

Ref.13769
19th century butcher's facade in cast iron and iron

Ref.4947
Louis XVI style mantel in Brocatelle marble

Louis XVI style mantel carved in Brocatelle marble in the second half of the 19th century. The simple entablature rests on a slightly curved jambs adorned with falling stylized acanthus leaves.

Ref.12287
Set of Empire-style mahogany and bronze panelling and bookcases

Ref.14067
Pierre BRAECKE, Art Nouveau style handle with the inscription “L. Solvay”, 1901

This handle bearing the inscription "L. Solvay" comes from the house of Lucien Solvay (1851-1950), a journalist, art historian and poet. He was also a member of the Solvay family, one of the greatest patrons of Art Nouveau. This house was built in 1901 by the architect Georges Hobé at number 76 rue Gachard in Ixelles (Brussels). Hobé commissioned sculptor Pieter Braecke (1858-1938) to create this handle, which adorned the front door of Lucien Solvay’s house. This work is both functional and highly decorative. Its base, adorned with a feather recalling the commissioner's literary activities, also bears the inscription that gives his name. The recess in the handle is formed by the body of a woman drawing a bow; a drapery emphasises its curve. Pieter Braecke was one of Victor Horta's most loyal friends. When the architect built his house and studio in 1903, the sculptor designed the door handles himself. They take up the idea of inscribing the name of the owner of the house and feature the motif of the drapery enveloping the woman in the Solvay handle, in a stylised way. The shape of the woman's body is also reminiscent of the Braecke statuettes crowning the sideboards in the dining room created by Victor Horta at number 22 Voorstraat, Kortrijk. Finally, a handle similar in shape to that of Lucien Solvay can be found on the front door of the house built by the architect Ch. Sée in 1909 at number 51 rue Forestière, Brussels. As with Braecke, a female sculpture in relief forms the handle. Sée drew his inspiration from Braecke, since the rue Forestière house was not completed until eight years after the Solvay house. At the time of its conception, the imposing door handle created by Pieter Braecke for Lucien Solvay had both a practical and highly decorative purpose. Today, it retains mainly its ornamental interest, making it an art object. The delicacy of the sculpture and the prominence given to the personality of the commissioner make it one of the most interesting testimonies both to the history of Lucien Solvay's commission for his house and to the art of Pieter Braecke.

Ref.15948
“ Swimmer ”, statuette in patinated metal