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Prestigious antique fireplace in Scagliola as Sarrancolin Fantastico marble made after the fireplace of the Council Room at the Palace of Versailles

Prestigious antique fireplace made out of Scagliola painted in trompe-l'œil in faux Sarrancolin Fantastico marble with gilded ornaments. The large central leafy shell and the espagnolettes are characteristic of the Louis XV style . This beautiful chimney was made around 1880 after the model of the one that adorns the Council Room at the Versailles Palace. The latter was ordered by Louis XV in 1748 to replace the one commissioned by Louis XIV in 1701. The current fireplace, made out of Griotte red marble and gilt bronze, was installed in 1755. We also find the same model of fireplace, this time in white Carrara marble and gilt bronze , in the Ambassadors' Room of the Palais de l'Élysée, Presidency of the French Republic, in Paris. It is therefore an extremely prestigious mantelpiece model, realized to decorate exceptional places.

Ref.10696
Julien-Nicolas RIVART (1802-1867) - Sewing table in blackened pearwood decorated of wild flowers in porcelain marquetry

This elegant sewing table is decorated of flowers in porcelain inlays by Julien-Nicolas Rivart . The latter is the inventor of the porcelain marquetry technique, a unique process, searched for a long time and patented in 1849, he was the only one to master. We have here a graceful example of these rare decorations, with a bouquet of wild flowers.

Ref.10722
Julien-Nicolas RIVART (1802-1867) - Velvet folder decorated with campanulas in porcelain marquetry

Covered in velvet, this folder has two compartments lined with moire fabrics and a matching file. It is decorated with a painted porcelain inlay by Julien-Nicolas Rivart , depicting twigs of campanulas. The brownish background contrasts with these purple and white wild flowers. The velvet support enables the contrast with porcelain's delicate texture, and to enhance its gleam. This is a very rare type of inlay, Rivart 's porcelains being generally observed into wooden furniture. The latter foresees indeed in his patent to inlay in all types of materials, including cardboard, leather, or velvet; but very few of such works reached us through time. The folder we present is thus an exceptional example of inlays in velvet, a witness to a production much appreciated by the clientele, which at the time was described as "yet more beautiful than beautiful" (Auguste Luchet, The Industrial Art at the Exhibition of 1867).

Ref.10607
Antique cast iron fireback with coat of arms with a sword and two stars, two ionic pilasters and leather cut pattern, late 17th century

This ancient fireback of Louis XIV style and period dates from the end of the 17th century. The wear of time on this ancient object does not enable to read the coat of arms, but one can distinguish two stars on either side of a vertical sword. Two seals of Solomon are arranged on both sides, framed by ionic pilasters and the whole is crowned by a pattern of cut leather.

Ref.11308
Maison des Bambous Alfred PERRET et Ernest VIBERT (attributed to) - Far Eastern inspired display cabinet

The realization of this charming Japanese-inspired cabinet is attributed to the Maison des Bambous by Perret et Vibert. The lower part opens with two doors adorned with panels decorated with Japanese characters in ivory marquetry, bone and mother-of-pearl, and two drawers adorned with horse warriors inlaid with mother-of-pearl. The upper part opens to a door and a drawer adorned with friezes of mother-of-pearl and is embellished with shelves. The whole is surmounted by a display cabinet opening by a glass door surrounded by a geometric frieze of mother-of-pearl, discovering a shelf stretched with red fabric.

Ref.13558
Gabriel VIARDOT (attributed to), Large Japonesque Mirror in the shape of a moon crescent with a dragon, second half of the 19th century

This Japanese mirror was probably made by Gabriel Viardot in the late 19th century. A talented woodcarver, Gabriel Viardot opened a furniture factory and store in Paris in 1853. In the 1870s, he decided to devote himself to “Chinese-Japanese furniture”. He won prestigious awards at the 1878, 1889 and 1900 World’s Fairs in Paris, and a gold medal at the Antwerp International Exhibition in 1884. This mirror features deeply Japanese ornamentation. Taking the form of a crescent moon, it is set in a frame adorned with a frieze of cloudy scrolls and vegetal elements. A finely executed dragon seems to emerge from behind the frame, in the hollow part of the crescent moon; resting its clawed paws on the edge of the frame, its spine bristling with spikes, it points a menacing head towards the reflection. Its body seems to disappear behind the frame, only to reappear on the other side, its supple tail adorned with scales, flames and spikes. The dragon is a recurring motif in Gabriel Viardot’s furniture creations. In the lower part of the crescent moon, opposite the fantastic animal, a branch of Japanese pine wraps around the frame. Gabriel Viardot created several mirrors with identical shapes and similar decorations, such as the one in the collections of the Musée des Arts Décoratifs in Paris, featuring two menacing dragons.