menu
Menu
account_box
Categories
Contact
email Send us a message

Contact

phone By phone

+33 (0)1 42 25 12 79
Tue.-Sat., from 10am to 6pm
+33 (0)6 60 62 61 90
Everyday from 9am to 7pm.

email by Email

Adress: contact@marcmaison.com

share Let's get social

Languages
And also...
My selection
(3 Objects)

My selection (3 Objects)


BACCARAT CRISTALLERIE and Eugène ROUSSEAU (model by), Pair of vases « Clair de Lune » in blue crystal and gilt bronze mount, circa 1875-1890

Ref.13481
BACCARAT CRISTALLERIE and Eugène ROUSSEAU (model by), Pair of vases « Clair de Lune » in blue crystal and gilt bronze mount, circa 1875-1890

This rare pair of vases made of blue crystal with an enameled decoration and mounted in gilt bronze was made by the crystal-making factory Baccarat between 1875 and 1890 from a model drawn by Eugène Rousseau (1827-1890). It is the model «Clair de lune », presenting a Japanese decoration depicting a full yellow moon reflecting a weeping willow surrounding by small stylized flowers put randomly on the vase belly. The neck and the base are underlined by a gold thread. The two vases are also presented on a four feet mounts made of gilt bronze and representing cherry tree branches with flowers. François-Eugène Rousseau (1827-1890), known as Eugène Rousseau, is a glass maker master who established himself in 1855 as a merchant specialized in porcelain and earthenware at 43, rue Coquillière in Paris. Around 1867, he devotes himself to glass and appealed to the talents of Eugène Michel to engrave a range of glassware. In 1867, while he was interested in Japanese motifs, Eugène Rousseau asks Félix Bracquemond to create a porcelain service which will be exhibited at the World’s Fair in Paris, where for the first time a European artist directly copies a Japanese artist, reproducing animal figures from the Hokusai’s Manga. Following the success of this service, the Japanese aesthetic will influence Rousseau's production. In 1869, two of his painted glasses were purchased by the Victoria and Albert Museum. His Japanese glass works produced with the probable help of the brothers Appert in Clichy and the crystal making factory Baccarat, will appear in 1874 in Paris at the Fourth Exhibition of the Central Union of Fine Arts Applied to Industry. Member of the Central Union of Decorative Arts since its creation in 1862, he received the cross of the Legion of Honor. At the end of his career, he partnered with Ernest Leveillé, who was also his student. Leveillé will continue the work of Eugène Rousseau after his death, having bought his workshop rue Coquillière in 1885. Created under Louis XV’s reign, the crystal-glass making factory of Baccarat got its international fame through its participation, all along the 19th century, and until 1937, to the World’s Fairs. It is during this period that the manufacture showed the world the excellency of its production and its constant search for innovations, winning medals at every edition. The Baccarat realizations inspired other European glass or crystal manufactures during the following decades, and dictated the taste, the technical execution and the stylistic models. The works of the manufacture are scarcely signed between 1764 and 1860, year where the first labels did appear punctually. Fifteen years later, a seal with the name of the firm is placed on some blowing models and gilded bronze pieces. It is not until 1936 that the « BACCARAT » brand, with a carafe and two glasses, started appearing systematically on every production.

Dimensions:
Width: 13 cm
Height: 23 cm
Depth: 13 cm

Henri HUSSON, Adrien HÉBRARD, Remarkable Solid Silver Vase with Grasshopper and Vine Leaves Decoration, circa 1908

Ref.13494
Henri HUSSON, Adrien HÉBRARD, Remarkable Solid Silver Vase with Grasshopper and Vine Leaves Decoration, circa 1908

This beautiful solid silver vase was executed in the early 20th century by silversmith Henri Husson (1852-1914) and cast by the Hébrard foundry. The foundry’s stamp and the signature “H. Husson” under the base attest to this. The neo-Gothic monogram hallmark can also be found on the neck. It was probably exhibited at the Paris and Mulhouse Salons in 1908, where mentions are made of a “showcase containing various art objects” belonging to “M. Hébrard, founder” in Paris, and a “silver vase”, “Property of M. A. Hébrard, art founder” in Mulhouse. Henri Husson (1852-1914), the son of a locksmith, followed in his father’s footsteps before working for several years as an ornamental ironworker and restorer of ancient works. With a background in drawing, he drew inspiration from nature, which provided his main themes, faithfully reproducing plants and insects. These seem to be molded from life, their precision is so remarkable. Husson was a singular artist who lived apart from the fashions and artistic movements of his time. Nonetheless, his work shows a certain affinity with movements such as Art Nouveau, Symbolism and Japonism, that marked the late 19th century. Henri Husson exhibited at the Salon des Artistes Français in 1901 and then every year until 1911. From 1909, the founder and editor Adrien Hébrard (1865-1937), with whom he occasionally collaborated, as for this vase, dedicated several exhibitions to him in his gallery on Rue Royale in Paris. The body of the vase is adorned with supple vine branches on which an extremely naturalistic grasshopper has alighted. The background, partially textured, alternates with smooth, shiny areas. This decoration demonstrates the creator's remarkable naturalist talent. The Petit Palais museum in Paris houses a vase by Henri Husson, executed around 1909, whose naturalistic vegetal decoration is very similar to that of our vase.

Dimensions:
Height: 23 cm