Ref.12316
Important fireback with the coat of arms of Germain du val

Beautiful fireback from the 16th century with fretwork contours. Under the central arch adorned with a leonine mask, two figures disguised as Mars and Venus are entwined. They are part of an architectural construction composed of a facade rhythmed with canephoric terms and crowned with a triangular pediment. The plaque bears the coat of arms of Germain Du Val, notary and secretary to the king from 1508 to 1533, Sieur du Mesnil en Vendômois, of Fontenay-en-Parisis, Bonneuil-les-Eaux, Lawarde-Mauger and La Hérelle. He was church warden of the church of Saint-Eustache in Paris. He died before 1641.

Ref.12723
Rare pair of winged lions, cast iron, 19th century

Although called "griffins" by the artist and in the foundry's catalogue, they are rather a pair of winged lions, as evidenced by the absence of bird beaks, in cast iron and made by the Ducel or Val d'Osne foundry at the end of the 19th century after a model by Eugène-Louis Lequesne. Le Monde illustré, 18 juillet 1863, pp. 13-16. Initially designed to be part of the decoration of the current Musée de Picardie in Amiens as part of the project for the exterior and interior decoration of the museum by the architect Arthur Diet, these two winged lions, known as "griffins", were commissioned in 1861 by Diet to the sculptor Eugène-Louis Lequesne. In a letter from the architect dated 31 December 1861 addressed to a commission, Diet specified that E. Lequesne: "will make a sketch of them but on condition that these animals (be made) after the antique. If we wanted animals copied from nature, he would not interfere". On 8 February 1861, Lequesne submitted his model, which he exhibits at the 1863 Salon. These "griffins" were drawn by Lequesne after the antique and were included in the catalogue of the Ducel or Val d'Osne foundry at the end of the 19th century. Very popular, this model was delivered in several countries as orders for monuments or outdoor decorations were received. This model can be found in two of the foundry's catalogues : Ducel Val d’Osne catalogue, Folio 405 – Plate 238, N° 10613 and N° 10613 bis. Eugène-Louis Lequesne (1815-1887) was a French sculptor, student of James Pradier, he exhibited his work at the Salon from 1842. He was awarded of the First Prize of Rome in 1844 and had already won second place in 1843. Brilliant sculptor, he was nominated as knight of the Legion of Honour in 1855 and regularly exhibited his work at the Salon, including the model for our sculptures. Many of his works, including the famous "Dancing Faun", adorn public spaces. The figure of the winged lion dates back to the ancient period. This period provided famous examples such as the "Winged Lion of Vulci" from the Etruscan civilisation. In the ancient Greco-Roman world, from which the models that inspired Lequesne were made, artistic representations of the lion were very frequently associated with the figure of the guardian, both of the world of the living and dead. This pair of winged lions is associated with the 19th century taste for both Antiquity and representations of the fantastic. Other sculptors of Lequesne's time produced similar sculptures, such as the chimeras of Henri-Alfred Jacquemart or the statue of the winged lion by Auguste-Nicolas Cain. Comparison work : Henri-Alfred Jacquemart, Chimère ailée, fontaine Saint-Michel, Paris, France, 1858-1860. Other international exemple of « griffins » by Val d’Osne foundry : Town Square Fountain, Leicester, United Kingdom.