Ref.9217
Stained glass window, painted by Thomas from Valence, 1915

Large and colourful stained glass window from the Thomas Vitraux workshop, founded in 1878, in Valence. The know-how of Thomas was transmitted from father to son and the company is still active today. This Art nouveau influenced work depicts Diana Huntress, with her bow and dogs walking though the forest. It is signed and dated 1915. Using a large variety of color and types of glass work, this painting expresses a lot of strength and vitality.

Ref.9420
Judgement of Paris 16th century fireback

Charming 16th century cast iron fireback , representing the Judgment of Paris. This Renaissance’s essential subject is here represented after Raffaello Sanzio’s version, engraved by Marco Antonio Raimondi, which success had caused a very large amount of artifacts copying its pattern. Like in Raffaello’s version, the young prince is sit under a tree on the left and the three goddesses face him, the last one turning her back. Paris’s profile highlights the muscles of his back and legs, an important element for Raffaello was then the first to paint antiquity nudes for all the Judgment of Paris’s characters. In order to adapt the prolific genius’s painting, the master metalworker gave Minerva a shield and Juno a royal scepter, so that they’d be better recognized. This solution has been adopted for the embossed design of medals in the same period, as those preserved in the Louvre museum. Overhanging the composition in a mandorla, a winged Cupid, holding his bow and quiver, expresses the supremacy of his power. The 16th century puts indeed Eros’s power in the spotlight, particularly through the Neoplatonistic mystique known by Raffaello, as a world-making force. Eros is thus the first of all gods, here making his law : the victory of love upon the other virtues that are wisdom and force. The scene is flanked by bay leaves topped by laurel wreathed heads, maybe poets. On either side of Cupid, a pair of Moorish heads; two scrolled acanthus leaves rise up and join together above the mandorla.

Ref.11863
Small set of parquet flooring Point de Hongrie

Set of 20th century Point de Hongrie parquet flooring. Size of the slats : 20.08 inch by 3.35 inch. The whole for a surface of about 12 m2.

Ref.4495
Napoleon III fireplace in Enjugerais marble with modillions

This fireplace was made in Enjugerais marble in the second half of the 19th century. The entablature is supported by feet adorned with modillions.

Ref.13537
F. BARBEDIENNE - Small bronze inkwell with a cloisonne decor

This small bronze inkwell with cloisonne enamel decoration made circa 1860 is the work of Ferdinand Barbedienne, bronze maker and founder of the famous 19th century foundry of the same name. The decor seems to have been imagined by the designer Constant Sevin. We owe to the associations of the two men – which has lasted for more than thirty years, between 1855 and 1888 – an important collection of works of art and especially vases, showing the same colors and technical. The two men articipate to the reborn of champleve enamel in the middle of the 19th century. he first technical tries of Barbedienne were made near 1858 and four years after he presents in the Great Exhibition of London a stand mainly composed of works of art inlaid of enamels – like the model of our inkwell – which does not leave the critic indifferent. Indeed, we can on its shape and decor a Middle East inspiration but especially eclectic, typical of the artistic trend under the Second Empire.

Ref.5179
Louis XV style mantel in Rouge Royal marble, 18th century

Ref.5235
Directoire style mantel with detached columns in Turquin marble

Ref.4986
Louis XV period mantel in Rouge Royal marble

Ref.4985
Empire style mantel in Sea Green marble with detached columns

Ref.6038
Louis XV style fireplace, Pompadour model, in blue flowered marble

Ref.15788
12m² lot of linear oak parquet flooring