Ref.13638
Large vase with a bronze mount and dragons

This important enamelled ceramic Chinese vase with a patinated bronze mount has an enamelled decor on our vase was made in brown, red and green shades. Applied with friezes, we can recognize the influence of the Islam and Chinese arts through the succession of geometrical and flowery motifs. The patinated bronze foot and neck also depict an open work decor of which the drawn motif take their inspiration from the same sources. Finally, two small dragons, typical of the Chinese folklore, come to lighten up the mount by their presence.

Ref.12401
Faïencerie de Gien - Beautiful Napoleon III style earthenware planter "Bernard" with a gold decor, late 19th century

This beautiful planter with a polychromatic floral decor was made between the late 19th century and the early 20th century in the Gien earthenware factory as indicates the stamp on the bottom. It's the "Bernard" model, with a bulging shape resting on four snail feet and flanked with two handles. Its main decoration is composed of a beautiful lilies patch on a beige background, depicting white or colored with gold blooming flowers and buds surrounded by orange leaves. This decoration is lightened up with larges strips with stylised floral motifs and volutes in purple, green, yellow and turquoise reminding the famous blue of the ceramicist Theodore Deck. About the handles and the feet, they are colored with the same jade green used in this decor, that we also find inside the planter. Among the many earthenware factories born in the 19th century, Gien is one of the most reknown and the most important in Europe. It excels in the imitation art, and makes copies of pieces from the past to an affordable price. Unique pieces were also created thanks to talented artists who decorated them with new decorations, or were inspired by ones from the past or other European and Middle East factories. The factory was born in 1821 initated by Thomas Edme Hulm who buys the lands of the old Minimes convent in Gien to settle an earthenware factory after giving up the one in Montereau managed by his family since 1774. Because of financial difficulties, the Gien factory changes many times its name between 1826 et 1862, it is successively called « Guyon, Boulen & Cie », « Geoffroy, Guérin & Cie » before bearing its definitive name « Faïencerie de Gien » from 1875. The factory participates to the numerous exhibitions of the second half of the 19th centuryn especially the Wolds Fairs and wins many rewards. A planter with the same shape and a similar decor is conserved in the Charles VII museum in Mehun-sur-Yèvre in France