Ref.0511
Oak fireplace with portrait of a gentleman

Oak fireplace with overmantel mirror. In an elegant Louis XV style, the mantel is decorated with finely carved ornaments: a central shell is flanked between flower garlands. The jambs are decorated with Rococo cartouches that curve out and separate from the legs in a very original way. The decoration of the trumeau mirror is similar. It has a two part structure: a mirror with a curved top and a portrait of a man above. The portrait is dated back to the 18th century and is signed.

Ref.2116
"The lady with the greyhound", stained glass window signed by Hubert Martineau Paris

The double window features a woman dressed in the fashion of the 19th century, resting on a bench next to a greyhound and an ornamental pond. The glass window follows the techniques of enameled glass and acid-etching. Hubert and Martineau were Parisian glass painters and stained glass manufacturer in the last quarter of the 19th century. They realized the superb decor of the Fermette Marbeuf, a restaurant located on the corner of Rue Boccador and Rue Marbeuf in Paris. They also realized in 1891 - 1893, the stained glass of the Saint-Rémi church of Draveil, Essonne.

Ref.13323
Series of three double wood doors with glasses

Series of three double doors with glasses on more than half of the heigh, some are bearing recent mirrors stuck above, especially on the lower part. The door's ironworks are made of bronze.

Ref.13469
Small walnutt wood sculpted door with diamond decoration

This small door is a work made of walnutt wood between the late 19th century and the early 20th century. It depicts a sculpted decoration of diamonds on the main face.

Ref.13895
Old fireback with the arms of France

Ref.14126
Pair of large, richly decorated Napoleon III-style double doors

Ref.15080
KOENIG & LAFITTE - Art Nouveau stained glass window with bindweed

This stained glass window was created by Paul Koenig and Lafitte in the early years of the 20th century, during the flowering of Art Nouveau. This draughtsman and engraver, born in Épinal in 1883, was associated with Lafitte, a glass painter. Their creations were part of the École de Nancy movement. This school, founded in 1901 by Emile Gallé, Louis Majorelle, Antonin Daum and Eugène Vallin, aimed to develop the decorative arts in the provinces, and became the spearhead of the Art Nouveau style. Our stained glass window is curved. The pattern is divided into six large, distinct panels. There are three in the upper section, separated by two arches that flare out towards the top. It is trimmed by a band of pink glass, which is covered in places with delicate bindweed flowers and leaves that emphasise the curvature of the upper arch. Their design is particularly fine and precise. In the centre, the glass is almost transparent, but the lead lines holding them in place flare out following the curvature of the vertical arches. The lower part of the stained glass window has a large central section of soft green hammered glass, which follows the shape of the arch separating it from the upper part, and at the bottom adopts the shape of a brace. In the spandrels, bordered by a thin line of pink glass, two bunches of bindweed repeat the pattern of the upper part. This work can be compared with the stained glass window with Jasmin de Virginie made by these artists. This one, although generally more traditional in shape, also has a pink border (albeit in a stronger colour). The flared shape of our vase is repeated, with a variation. In addition, the variety of flowers represented, an original and exotic species, proves Koenig’s interest in flora. As in the stained glass window with bindweed, the flowers are depicted in buds at the bottom, blossoming more and more as they are depicted upwards.

Ref.5509
Louis XV style Pompadour mantel in black speckled marble

Ref.5609
Louis XVI style mantel in Rouge Royal marble

Ref.5689
Louis XV style Pompadour mantel in Rouge du Nord marble

Ref.15481
Moulded painted wood door

Ref.5712
Louis XV style mantel in Rouge Royal marble with asymmetrical shell motif

Ref.5740
Louis XV style mantel in highly carved Carrara marble

This Louis XV-style Carrara fireplace stands out through its symmetrical and detailed sculpture. White Carrara marble, sometimes with gray veins, has brightening and delicacy qualities that enable the sculptor to work in fine detail. This fineness/delicacy can be seen over the band and fireplace’s legs. The band is thinner on the sides and thickens in the center, producing its curved shape. Thin and hollow moldings follow the contours of the band. In the band’s center, acanthus leaves create the shape of a sun. The leaf tips stand out slightly, creating volume. High-relief curled leaves skirt this central form. On the sides, two flowers with leaves extended on either side. At the top of the fireplace's legs, the central shape of the band is recreated by the acanthus leaves. We can notice that a flower from the acanthus leaves runs/gets down the length of the leg, moving to the right for the right foot and the left for the left. In the second part of the leg, there are four leaves following each other from the largest at the top to the smallest at the bottom. Flutes longing the length of the rest of the leg. These patterns are first hollowed and then filled in. This fireplace is accompanied by its symmetrical cast-iron interior that echoes the mantel's motifs. The center reuses the central pattern of the band formed by the acanthus leaves. In the hollow of the fireplace’s curves, a half-naked woman and a child are set in interlinked circles. These circles are themselves surrounded by intricate scrolls echoing the leaf motif.

Ref.15843
Indoor Fountain with Dolphin Motif – Carved Stuccowork and Corton Marble Stone, 18th Century

Rare large-scale indoor fountain, carved in stucco, depicting a stylized dolphin emerging from a basin. The scene is framed by reeds and aquatic plants in relief, set within an architectural niche with a fluted half-dome, evoking the Rocaille spirit. The basin is made of Corton marble stone, contrasting with the matte whiteness of the stucco. The ensemble retains its original elements, including the lower cupboard with two moulded doors.

Ref.15049
Set of Four Carved Stone Medallions Depicting Satyr Faces

Set of Four Carved Stone Medallions Depicting Satyr Faces Architectural elements from the late 18th to early 19th century. Each medallion features a fantastical satyr’s face—mythical beings half-man, half-goat—distinguished by curling horns, expressive grimaces, and flowing beards. The exaggerated features and dramatic expressions are reminiscent of mascarons, often found decorating façades, fountains, or portals. These sculptures reflect exceptional craftsmanship in stone carving, with dynamic volumes and precise details that create a striking decorative presence. Their aged patina and natural weathering highlight their authenticity and historical character.

Ref.6171
Louis XV style fireplace in Arabescato marble, decorated with an asymmetrical palmette

Ref.16080
Set of 4 double doors in carved wood