Ref.5303
Large Regency-style mantel richly carved in violet breche marble

This Regency style fireplace was made in the late 19th century in violet breche marble. In the center of the lintel, it is decorated with a complex motif: in the center, a flower with regular petals, framed by a heart-shaped pattern holding hanging leaves, itself surrounded by foliage. On both sides, characteristic patterns of the rocaille style and plant scrolls increase its size. Moldings adorn the sides of the lintel following the lines of the mantelpiece, but are interrupted symmetrically by two small circles. The jambs follow a slight curve and are decorated with a simple molding. Hot-air vents are on each side of the mantelpiece.

Ref.4201
Empire style fireplace in blue Turquin marble with statuary marble columns

This Empire-style fireplace was crafted in Bleu Turquin marble and statuary marble. Bleu Turquin displays its characteristic oblique veining in deep blue-grey tones, while the statuary marble, used for the columns and certain decorative panels, provides a bright and even contrast. The overall form follows a straight, architectural structure typical of the Empire style. The mantel shelf, with gently softened edges, rests on a simple entablature where a large horizontal band in statuary marble forms the central panel. On either side, two lateral blocks mark the returns and frame the façade. The fire opening is surrounded by a straight Bleu Turquin marble frame. Two pairs of engaged columns, also in statuary marble, rise from Bleu Turquin bases and give the façade its visual rhythm. The fireplace is adorned with several carved decorations. The large central panel features a finely carved vegetal garland composed of layered leaves and small flowers arranged in a symmetrical composition. The two side panels, also in statuary marble, are decorated with shallow-relief sculpted wreaths. The statuary marble columns are topped with moulded capitals, with the bases and collars accentuated by a dark Bleu Turquin band. The cast iron interior is decorated with a prominent relief: in the centre, a classical chariot drawn by horses and led by a male figure, likely Helios, stands out in gilt against the black background. The interior jambs each bear a vertical motif composed of a sphinx surmounted by a stylised vase or urn, also in gilt cast iron. The whole ensemble is structured, symmetrical, and characteristic of the Empire aesthetic, in which antique themes are frequently reproduced.